4.31.7
By Damophon too is the so-called Laphria at Messene. The cult came to be established among them in the following way: Among the people of Calydon, Artemis, who was worshipped by them above all the gods, had the title Laphria, and the Messenians who received Naupactus from the Athenians, being at that time close neighbors of the Aetolians, adopted her from the people of Calydon. I will describe her appearance in another place. note The name Laphria spread only to the Messenians and to the Achaeans of Patrae.
4.31.8
But all cities worship Artemis of Ephesus, and individuals hold her in honor above all the gods. The reason, in my view, is the renown of the Amazons, who traditionally dedicated the image, also the extreme antiquity of this sanctuary. Three other points as well have contributed to her renown, the size of the temple, surpassing all buildings among men, the eminence of the city of the Ephesians and the renown of the goddess who dwells there.
4.31.9
The Messenians have a temple erected to Eileithyia with a stone statue, and near by a hall of the Curetes, where they make burnt offerings of every kind of living creature, thrusting into the flames not only cattle and goats, but finally birds as well. There is a holy shrine of Demeter at Messene and statues of the Dioscuri, carrying the daughters of Leucippus. I have already explained in an earlier passage note that the Messenians argue that the sons of Tyndareus belong to them rather than to the Lacedaemonians.
4.31.10
The most numerous statues and the most worth seeing are to be found in the sanctuary of Asclepius. For besides statues of the god and his sons, and besides statues of Apollo, the Muses and Heracles, the city of Thebes is represented and Epaminondas the son of Cleommis, Fortune, and Artemis Bringer of Light. The stone statues are the work of Damophon (I know of no other Messenian sculptor of merit apart from him); the statue of Epaminondas is of iron and the work of some other artist.
4.31.11
There is also a temple of Messene the daughter of Triopas with a statue of gold and Parian marble. At the back of the temple are paintings of the kings of Messene: before the coming of the Dorian host to Peloponnese, Aphareus and his sons, after the return of the Heracleidae, Cresphontes the Dorian leader, of the inhabitants of Pylos, Nestor, Thrasymedes and Antilochus, singled out from among the sons of Nestor on the score of age and because they took part in the expedition to Troy.
4.31.12
There is Leucippus brother of Aphareus, Hilaeira and Phoebe, and with them Arsinoe. Asclepius too is represented, being according to the Messenian account a son of Arsinoe, also Machaon and Podaleirius, as they also took part in the affair at Troy. These pictures were painted by Omphalion, pupil of Nicias note the son of Nicomedes. Some say that he was also a slave in the house of Nicias and his favorite.
ch. 32
4.32.1
The place called Hierothesion by the Messenians contains statues of all the gods whom the Greeks worship, and also a bronze image of Epaminondas. Ancient tripods are dedicated there, which “have felt not the fire,” as Homer says. note The statues in the gymnasium are the work of Egyptian artists. They represent Hermes, Heracles and Theseus, who are honored in the gymnasium and wrestling-ground according to a practice universal among Greeks, and now common among barbarians...
4.32.2
I learnt by enquiry that Aethidas was a man older than myself, who gained influence through his wealth and is honored by the Messenians as a hero. There are certain Messenians, who, while admitting that Aethidas was a man of great wealth, maintain that it is not he who is represented on the relief but an ancestor and namesake. The elder Aethidas was their leader, when Demetrius the son of Philip and his force surprised them in the night and succeeded in penetrating into the town unnoticed.
4.32.3
There is also the tomb of Aristomenes here. They say that it is not a cenotaph, but when I asked whence and in what manner they recovered the bones of Aristomenes, they said that they sent to Rhodes for them, and that it was the god of Delphi who ordered it. They also instructed me in the nature of the rites carried out at the tomb. The bull which is to be offered to the dead man is brought to the tomb and bound to the pillar which stands upon the grave. Being fierce and unused to bonds he will not stand; and if the pillar is moved by his struggles and bounds, it is a good omen to the Messenians, but if the pillar is not moved the sign portends misfortune.
